The Main Archive

This archive documents the work of approximately 600 contemporary composers, with a total of around 30,000 compositions.

The archive is organized by composer. For each composer, works are listed according to musical formation (symphonies, orchestral music, ensemble music, chamber music, solo music, vocal music, etc.), and within each formation according to the year in which composition began. Only the works themselves and their dates of composition are listed.

The purpose of this archive is descriptive rather than evaluative. It does not rank works, express preferences, or propose hierarchies. Its function is to provide a clear, readable map of what exists, how it is structured, and how individual composers’ outputs unfold over time.

The temporal focus of the project is contemporary music from 1960 onward. In some cases, earlier works are included when they are necessary to situate a composer’s later development. Such works appear solely as contextual material and are not counted in the project’s statistical scope.

This archive is intentionally restrained. Information about performances, recordings, versions, revisions, or reception has been excluded in order to preserve clarity and to keep the focus on composers and works rather than on interpretation or mediation.

The Main Archive serves as the foundational layer of the project. All other archives—such as those organized by formation or instrument—are derived from it. It is designed to support orientation, comparative listening, and historical understanding, while remaining independent from any canon or judgment.